Glaring omissions in an expensive ‘Blue’
By Rama Gaind
Rumoured to be India’s most expensive film at between $18 and $25 million, ‘Blue’ has a weak storyline, but makes up for it with some strong action and chase sequences and marine splendour. However, the lavish canvas with sweeping backdrops were inadequately utilised for maximum effect.
Said to be Bollywood’s first underwater thriller, it sees three treasure hunters who not only grapple with sharks, but also their own conscience with most of the drama emanating from the unpredictable friendship between fisherman Aarav (Akshay Kumar), his employee Sagar (Sanjay Dutt) and his brother Sam (Zayed Khan).
Dolphins just loved swimming with the gorgeous leading lady Mona (Lara Dutta, former Miss Universe). There’s also a cameo appearance by the glamorous Katrina Kaif.
While the picture postcard Bahamas is inviting, there are obvious shades of ‘Jaws’ and ‘The Deep’, but the treasure hunt should have been more perilous, the sharks could have been meaner and the danger more palpable instead of a tame ending.
First-time director Anthony D’Souza had an ambitious project, but he got so involved with orchestrating the big-name stars, the equally big sharks and the awesome scenery that he forgot to focus on the basic need for a noteworthy script.
Nevertheless, Pete Zuccarini (‘Pirates of the Caribbean’) has done some amazing cinematography in Bangkok and the Bahamas with eye-catching action above sea level, some stunning biker mayhem, on top of trains, alleyways and countryside.
The music score and design by India’s two Oscar winners – A.R. Rahman and Resul Pookutty – is nothing out of the ordinary.
Out on DVD as well, this film has to be seen on the big screen for major impact.
All that money and talent has gone to waste: instead of a thundering climax, there was a soft whimper. Perhaps, a sequel is on the way?
